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"Written by 92 specialists in association with the American Folk Art Museum, the 600 cross-referenced and indexed articles, with bibliographies, included in this selection are the first comprehensive treatment of this influential art form. It includes information on bottle-cap art, canes, carousel art, scrimshaw, quilts, beadwork, and many other genres, as well as information on several visionary artists who still practice their crafts. This work has special appeal for folklorists."--"The Top 20 Reference Titles of the Year," American Libraries, May 2004.
Folk art --- Art populaire --- Encyclopedias --- Encyclopédies --- Visual Arts --- Art, Architecture & Applied Arts --- Decorative Arts --- Encyclopédies --- Peasant art --- Popular art --- Encyclopedias. --- Art --- Art, Primitive --- United States
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Conceptualised in 1920s Japan by Yanagi Sôetsu, the Mingei movement has spread world wide since the 1950s, creating phenomena as diverse as Mingei museums, Mingei connoisseurs and collectors, Mingei shops and Mingei restaurants. The theory, at its core and its adaptation by Bernard Leach, has long been an influential 'Oriental' aesthetic for studio craft artists in the West. But why did Mingei become so particularly influential to a western audience? And could the 'Orientalness' perceived in Mingei theory be nothing more than a myth?
Folk art --- Culture --- Identity (Psychology) --- Personal identity --- Personality --- Self --- Ego (Psychology) --- Individuality --- Cultural sociology --- Sociology of culture --- Civilization --- Popular culture --- Peasant art --- Popular art --- Art --- Art, Primitive --- History --- Social aspects --- Yanagi, Muneyoshi, --- Yu, Chong-yŏl, --- Yanagi, Muneyosi, --- Yanagi, Sōetsu, --- Liu, Zongyue, --- 柳宗悦, --- Yanagi, Soyetsu, --- Criticism and interpretation.
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